Photography & Imaging

Fluid Environments is an intermediate 3D imaging studio class that examines and explores the possibilities inherent in the current post-photographic environment and fluid simulation imaging technologies. This course teaches various skills using the 3D environment and fluid imaging software RealFlow and Maya for creating 3D particles, atmospheric lighting, and fluid dynamic functions. We will be discussing the various theories relating to the idea of post-photographic imaging, uncanny valley, and 3D simulations. Besides the technical exercises, students are encouraged to create semester-long self-directed research and a final project using the imaging technology they've learned. Exhibition viewing, artist visits, and other activities will be arranged according to the public health safety situation, and showing work by artists and creatives such as Jennifer Steinkamp, Harun Farocki, Jonathan Monaghan, Chen Man, Saskia Olde Wol-bers, and AES + F will be arranged to provide aesthetic and concept inspirations. Please note, there is a lab fee.

*Students with basic skills in Maya are encouraged to take the course.

By synthesizing critical discourse and material experimentation, students will explore photography as a sculptural medium, developing works that challenge the boundaries between image and object, ephemerality and permanence, and two-dimensional representation and three-dimensional space.

Students will engage with both historical and contemporary approaches to photographic objects, considering how sculptural strategies—such as volume, surface, and spatial occupation—transform visual narratives. Readings and discussions will investigate how material choices, bodily interaction, and the sensory experience of sculpture influence the perception and meaning of photographic artwork. 

Students will develop technical skills in sculptural fabrication, utilizing NYU advanced makerspaces and campus shops with rapid prototyping tools, digital textile, laser cutting, 3D printing, alongside traditional sculptural shop and photographic processes, to create hybrid photographic-sculptural works.

The course also integrates professional practices by engaging with external vendors and campus fabrication shops. In order to keep production costs lower, students will be asked to purchase a materials kit to benefit from bulk purchasing (cost of art kit: $75). Please note, there is a lab fee.